Movie review by Greg Carlson The final film in Joachim Trier’s Oslo Trilogy, “The Worst Person in the World” is one of the best films of 2021. Despite several erroneous descriptions from critics tagging the movie as a romantic comedy, the film most assuredly belongs in the more temperamental sibling genre of romantic drama. Trier’s […]

Movie review by Greg Carlson The first Japanese winners of the Best Screenplay Award at the Cannes Film Festival, Ryusuke Hamaguchi and Takamasa Oe expand “Drive My Car,” the short story of the same name in Haruki Murakami’s 2014 collection “Men Without Women,” to great success. And although the film lost the Palme d’Or to […]

Movie review by Greg Carlson In one of the best scenes of the year, Tilda Swinton’s Jessica Holland sits with audio engineer Hernan Bedoya (Juan Pablo Urrego) behind a massive mixing console in a recording studio in Colombia, working to recreate a mysterious sound that she has been hearing intermittently. Drawing initially from a collection […]

Movie review by Greg Carlson Since his big screen debut in 1996, Paul Thomas Anderson has made a series of rewarding movies as identifiable by their director’s gift for dazzling cinematics as they are by bravura performances and exhilarating ensembles. Anderson has noted that there is nothing quite as exciting as watching a movie star […]

Movie review by Greg Carlson Master filmmaker Jane Campion, notching a fresh Silver Lion win for Best Direction at the recent Venice Film Festival, returns to the screen after a twelve-year absence with “The Power of the Dog,” a handsome and potent Western based on the 1967 novel of the same title by Thomas Savage. […]

Movie review by Greg Carlson With almost surgical precision, filmmakers Peter Middleton and James Spinney dissect the life and work of “The Real Charlie Chaplin,” a worthwhile addition to the many studies of one of the most recognizable screen performers in cinema history. Their documentary functions partly as critical biography, using Chaplin’s narrative preoccupations as […]

Movie review by Greg Carlson Filmmaker Penny Lane follows her thought-provoking examination of the Satanic Temple with a subject many would anoint as the Devil of Smooth Jazz: Kenneth Gorelick, known to millions of record buyers as Kenny G. Far from a straightforward biographical profile, Lane embraces G’s decades-long divisiveness to elaborate on questions of […]

Movie review by Greg Carlson Had a home video copy made its way into his eclectic collection, one cannot help but wonder how Ingmar Bergman might have rated Mia Hansen-Løve’s utterly delightful “Bergman Island.” The French director’s first English-language movie is a bold and satisfying metanarrative that uses the legendary Swedish auteur as the starting […]

Movie review by Greg Carlson First, a note to the naysayers and cynics and grumps and sourpusses and killjoys who would dismiss Wes Anderson as a suffocating ironist infatuated with his dollhouse miniatures and his own cookie cutter formulae recycling the same set of actors within his symmetrically composed frames: GET LOST, GO AWAY, SHOVE […]