Movie review by Greg Carlson Surely one of the year’s unlikeliest and most wondrous theatrical experiences, “Sasquatch Sunset,” from beloved indie storytellers David and Nathan Zellner, premiered at the Sundance Film Festival to a range of critical responses that match the breadth of the film’s own expansive agenda. Following a quartet of hairy hominids – […]

Movie review by Greg Carlson Documentarian Lance Oppenheim’s “Spermworld” boasts a killer hook to attract the curious: unregulated sperm donors who use social media to offer services to women unhappy with the options provided by traditional “banks.” The filmmaker’s latest feature was inspired by the 2021 “New York Times” article by Nellie Bowles titled “The […]

Movie review by Greg Carlson Nobody will mistake director Thea Sharrock’s undercooked “Wicked Little Letters” for Henri-Georges Clouzot’s 1943 “Le Corbeau.” Or, for that matter, Otto Preminger’s “Le Corbeau” remake “The 13th Letter” (1951). The poison pen concept has fueled many film plots, and this latest iteration at least has the good sense (or fortune) […]

Movie review by Greg Carlson In Sundance standout “Love Lies Bleeding,” filmmaker Rose Glass improves on all the promises announced in her 2021 debut “Saint Maud.” While “Maud” explored the familiar territory of the psychological horror thriller, “Love Lies Bleeding” mines the fertile grit of the neo-noir. Working with a cast of well-known performers, Glass […]

Movie review by Greg Carlson The chief reason to see “The Prank,” a lumpy and unappetizing stew that could use a lot more salt, is legend Rita Moreno. The now 92-year-old phenomenon and EGOT winner (who was also the first Latin American woman to collect an acting Oscar) continues to perform like an unstoppable force. […]

Movie review by Greg Carlson Denis Villeneuve’s “Dune: Part Two” concludes, for the most part, the adaptation of Frank Herbert’s original 1965 science fiction epic while (inevitably?) making room for a further onscreen investigation of “Dune Messiah,” the sequel Herbert described as the inversion of the first section’s “heroic melody.” Even at two hours and […]

Movie review by Greg Carlson Veteran editor Carla Gutiérrez’s new documentary “Frida,” on the subject of the famed painter whose star has continued to shine with blinding incandescence since a 1980s popular cultural renaissance, premiered to mixed reviews at the 2024 Sundance Film Festival in January. Art lovers and biography hounds will be able to […]

Movie review by Greg Carlson In a short piece published recently in “The New York Times,” author Callie Holtermann summarizes the responses to director S. J. Clarkson’s “Madame Web,” attempting to make some sense of the many sticky strands of social media hot-takes as well as fan and critical backlash to the latest installment in […]

Movie review by Greg Carlson The mixed reviews for “Lisa Frankenstein” are not necessarily indicative of the movie’s charms, which reside primarily in the colorful production and costume design, game performers, choice soundtrack, and frequent references, throwbacks, and homages. Set in 1989, not coincidentally the year of “Heathers” at the Sundance Film Festival following its […]