Movie review by Greg Carlson Outstanding writer-director Celine Sciamma adds another sublime cinematic work to her resume with “Portrait of a Lady on Fire.” A talent to watch since excellent debut feature “Water Lilies” (original title “Naissance des Pieuvres,” or “Birth of the Octopuses”) launched her career in 2007, Sciamma has developed into one of […]

Movie review by Greg Carlson Greta Gerwig continues to exercise her command of cinematic storytelling with “Little Women,” a perfectly wrapped and beribboned Christmas gift as welcome as a steaming cup of cocoa after a frosty skate around the local frozen pond. Proving wrong many skeptics who initially questioned her choice of post-”Lady Bird” material, […]

Movie review by Greg Carlson Filmmaker Sophia Takal’s reimagining of Bob Clark’s 1974 slasher classic “Black Christmas” improves on a tepid 2006 remake by Glen Morgan without finding the weird alchemy of the original. Sharing screenplay duties with April Wolfe, Takal may not have managed a definitive version, but she should be credited with constructing […]

Movie review by Greg Carlson Jennifer Kent’s “The Nightingale” will not attract the same cult following or breadth of widespread fan devotion as “The Babadook,” but her latest marks significant progress in the filmmaker’s command of story and cinematic language. Harrowing, painful, and — for those viewers who walked out of festival screenings — unrelentingly […]

Movie review by Greg Carlson The politics of race in contemporary America inform the text and subtext of “Queen & Slim,” a vivid feature debut from music video director Melina Matsoukas. Described so often in “The Player”-style shorthand as “Bonnie and Clyde meets Black Lives Matter” that the tag unfairly deflates some of the character-based […]

Movie review by Greg Carlson Of the three feature films directed by Marielle Heller, all of which are based in one way or another on biographical source material, “A Beautiful Day in the Neighborhood” is the least successful. But that opinion doesn’t mean her newest work is a bust; the movie’s curiosity about the blurry […]

Movie review by Greg Carlson “Parasite” will be the top-grossing foreign language film at the 2019 American box office, and deservedly so. Joon-ho Bong’s most satisfying and accomplished movie since “Mother” in 2009, “Parasite” is the first Korean film to win the Cannes Film Festival’s Palme d’Or. A perfectly-tuned, midnight-black fairy tale of two families […]

Movie review by Greg Carlson Nearly forty years after Stanley Kubrick’s classic horror film conjured thousands of nightmares, director Mike Flanagan wakes up belated sequel “Doctor Sleep,” the strongest work of his promising career. Smartly striking a balance between the iconic status of Kubrick’s sound and vision and the Stephen King signatures that spread out […]

Movie review by Greg Carlson Fans of Robert Eggers’ brilliant feature debut “The Witch” have been waiting impatiently for “The Lighthouse,” and while the filmmaker decidedly avoids any kind of sophomore slide, the new movie will probably not attract the widespread fervor and devotion bestowed upon Black Phillip, Thomasin, and company. In “The Witch,” Eggers […]

Movie review by Greg Carlson Ten years later, Ruben Fleischer returns to the apocalyptic landscape of his funny, fresh, and winning feature debut “Zombieland,” but the “Double Tap” fails to live up to the quality of the inaugural outing. The principal quartet of performers — three Oscar nominees and one winner — are game, but […]