Movie review by Greg Carlson Veteran filmmaker Jennifer Fox’s “The Tale” addresses child rape in as straightforward and clear-eyed a manner as any film ever made on the painful subject. Fox’s background in nonfiction storytelling informs the movie’s magnetic investigative structure, which arranges and rearranges details both large and small as the adult Jennifer Fox […]

Movie review by Greg Carlson “The Diary of a Teenage Girl” director Marielle Heller beautifully translates another personal autobiography to excellent results. “Can You Ever Forgive Me?” is based on the confessional 2008 memoir of literary forger Lee Israel, and Heller’s movie pulls off the impressive feat of bringing visual urgency to the typically uncinematic […]

Movie review by Greg Carlson Based on the subject’s candid memoir, “Scotty and the Secret History of Hollywood” pulls back the curtain on the sexual escapades of Scotty Bowers, longtime bartender, World War 2 Marine Corps veteran, and pimp/arranger on behalf of movie stars seeking carnal pleasure in a time when anything outside the heterosexual […]

Movie review by Greg Carlson Were it not for Steve McQueen’s professed admiration of the 1980s television series upon which his new movie is based, “Widows” might seem an unusual choice for the prestige filmmaker of “12 Years a Slave,” “Shame,” and “Hunger.” An often ridiculous Chicago-set heist movie with thematic interests in race, politics, […]

Movie review by Greg Carlson For my money, David Lowery has been as much fun to watch as any filmmaker of his generation. He’s a veteran editor, and it shows in the sensibilities, qualities, and pacing of his previous trio of features, the curious line-up of “Ain’t Them Bodies Saints,” “Pete’s Dragon,” and “A Ghost […]

Movie review by Greg Carlson WARNING: The following review reveals plot information. Read only if you have seen “Suspiria” Luca Guadagnino’s ambitious reimagining of Dario Argento’s “Suspiria,” the first installment of the cult director’s Three Mothers trilogy, honors its inspiration with shocking spasms of gore and mind-bending phantasmagoria. Expectedly, Guadagnino also approaches the remake with […]

Movie review by Greg Carlson Jonah Hill’s feature directorial debut, which he also wrote, is a textbook bildungsroman of the hetero-masculine variety, a finely tuned throwback to the “Mid90s” of its title smart enough to locate the universal experiences that everyone — regardless of generation — recognizes. Shot on gorgeous Super 16mm in a 4:3 […]

Movie review by Greg Carlson Unknown to the general public but fascinating to followers of Stanley Kubrick, the name Leon Vitali takes center stage in Tony Zierra’s “Filmworker.” Vitali, who moved from the onscreen role of Lord Bullingdon in “Barry Lyndon” to the offscreen one as Kubrick’s general factotum for a quarter of a century, […]

Movie review by Greg Carlson Damien Chazelle’s fourth feature follows the trajectory common to the careers of many ambitious and talented filmmakers honored with Academy Awards: the dissipation of rawness and experimentation as budgets, expectations, and stakes increase. “First Man,” a deeply self-serious adaptation of James R. Hansen’s Neil Armstrong biography of the same name, […]

Movie review by Greg Carlson WARNING: The following review reveals plot information. Read only if you have seen “A Star Is Born” Bradley Cooper directs himself and Lady Gaga in the fourth version of the show business perennial “A Star Is Born.” Despite looking, at least on the surface, like a calculated shot at Oscar recognition […]