Movie review by Greg Carlson Of the sixteen features I saw during the 2025 Sundance Film Festival, none left as big an impression as filmmaker/artist Kahlil Joseph’s astonishing “BLKNWS: Terms & Conditions.” Behind-the-scenes controversy, documented more thoroughly elsewhere, confirms the kind of drama worthy of a movie plot – the film was briefly removed from […]

Movie review by Greg Carlson Writer/director/performer Eva Victor’s feature debut “Sorry, Baby” was one of the big 2025 Sundance success stories. Audiences connected with the film’s perfect blend of acidity and tenderness. Victor received the Waldo Salt Screenwriting Award for the movie’s fantastic script. And following serious interest from Searchlight, Neon, and others, worldwide distribution […]

Movie review by Greg Carlson To write with any degree of detail about filmmaker Drew Hancock’s “Companion” requires a spoiler alert. So if you have not seen the movie and hope to wring maximum enjoyment from the experience, I would strongly recommend that you stop reading and buy a ticket to the next available showing. […]

Movie review by Greg Carlson Now streaming on MUBI, Elizabeth Sankey’s essay film “Witches” morphs from what at first appears to be a feminist deconstruction of movie and television representations of the title figures into a wrenching and penetrating examination of the way that centuries of cultural expectations revolving around motherhood have taken an unfair […]

Movie review by Greg Carlson In a little more than a quarter of the 20th century spanning the 1930s, 1940s, and part of the 1950s, Humphrey Bogart built one of the quintessential American filmographies. Stubborn, tenacious, and devoted to his craft, the actor played plenty of thugs and toughs before the eventual turn that would […]

Movie review by Greg Carlson The Paris-born filmmaker Mati Diop made a major splash in 2019 with the fascinating feature “Atlantics,” which received the Grand Prix at Cannes. A supernatural reimagining inspired by her 2009 nonfiction short, Diop’s movie also marked the first time a film directed by a Black woman played in competition at […]

Movie review by Greg Carlson Indian filmmaker Payal Kapadia’s narrative fiction feature debut “All We Imagine as Light” is, among other things, a cinematic consideration of place. The movie begins but does not end in Mumbai, and the viewer hears multiple languages spoken throughout the deceptively simple and seductive story. Like Varda’s Paris in “Cléo […]

Movie review by Greg Carlson Dutch filmmaker Halina Reijn’s previous feature, “Bodies Bodies Bodies,” was a dizzy, snarky riff on the Old Dark House motif and one of 2022’s most slept-on cinematic treats. Now, with a major Oscar-winning star in Nicole Kidman and a high-visibility Christmas Day release, the director – who also wrote the […]

Movie review by Greg Carlson Essential viewing for cinephiles of any generation, director David Hinton’s engrossing documentary “Made in England: The Films of Powell and Pressburger” celebrates one of cinema’s most fruitful partnerships. Hosted by on-screen narrator Martin Scorsese, whose personal relationship with Powell is addressed in the film, “Made in England” is a heartfelt […]

Movie review by Greg Carlson Brady Corbet, the American screen actor turned auteur, is only 36 years old. He doesn’t enjoy the same level of fan adoration that accompanies the projects of Paul Thomas Anderson, Wes Anderson, Christopher Nolan, and the like, but one imagines that the filmmaker hopes that his third feature film could […]