Movie review by Greg Carlson Fargo-based filmmaker Matthew Myers recently remarked that director Stefon Bristol was, among other things, paying his bills by driving for Uber until production began on “See You Yesterday,” Bristol’s exciting debut feature. Myers produced the movie with Jason Sokoloff and Spike Lee, a professor to Bristol in the graduate film […]

Movie review by Greg Carlson Jennifer Gage’s sudsy “After” offers run-of-the-mill college romance targeted to the PG-13 demographic. The result, a far cry from the lustier stories upon which it is based, misses the mark despite an appealing performance from Josephine Langford as the virginal heroine Tessa Young. Gage, who wrote the screenplay with Susan […]

Movie review by Greg Carlson A true-to-life setting sparks interest in “The Mustang,” a solid man-and-his-horse story from first-time feature director Laure de Clermont-Tonnerre. Anchored by a livewire performance from the compelling Matthias Schoenaerts, the movie uses the Wild Horse Inmate Program, already the nonfiction subject of John Zaritsky’s “The Wild Horse Redemption” and Andrew […]

Movie review by Greg Carlson Harmony Korine keeps a tight grip on his title as one of the most critic/critique-proof filmmakers of recent times with “The Beach Bum,” a sultry companion piece to 2012’s memorable “Spring Breakers.” Not without its own kind of middle-aged charm and a worldview to match, “The Beach Bum” is virtually […]

Movie review by Greg Carlson Following a world premiere as one of the opening night selections of the Sundance Film Festival in January, conceptual visual artist Rashid Johnson’s adaptation of Richard Wright’s venerable “Native Son” debuts April 6 on HBO. The third big screen version of the story of Bigger Thomas, Wright’s film retains many […]

Movie review by Greg Carlson With enough mirrors, doublings, and doppelgangers to make Hitchcock, Kubrick, and Welles proud, Jordan Peele’s “Us” cements the filmmaker’s reputation as a master craftsman and visual stylist. Creepy, funny, and wicked sharp, the film’s genre is horror, the ideas are expansive and the execution clean. An ominous text prologue alludes […]

Movie review by Greg Carlson Set in the fictional Little Woods, North Dakota — a small town in the western oil patch not too far from the Canadian border — Nia DaCosta’s first feature film as writer-director marks an auspicious and confident debut. Recalling some of the same issues explored in Courtney Hunt’s memorable “Frozen […]

Movie review by Greg Carlson Early 1960s Oklahoma is an ideal setting for classic coming of age themes in Martha Stephens’s “To the Stars.” Richer in characterization and emotion than it is in plotting, “To the Stars” capitalizes on Andrew Reed’s beautiful monochromatic cinematography, with inky blacks and shimmering silvers aspiring to the same kind […]