Movie review by Greg Carlson Stephen Chow’s “Kung Fu Hustle” is surely one of contemporary cinema’s finest examples of innovatively and effectively integrated CGI. Unlike Lucas’ soul-crushing “Star Wars” prequel juggernauts, as well as the “Matrix” series, Chow recognizes the vast, nearly untapped comic potential of pixel-bound nonsense. Totally unafraid to attempt any kind of […]
Inside Deep Throat
Movie review by Greg Carlson Arguably the most notorious porno film in the history of American movie exhibition, “Deep Throat” serves as the subject of Fenton Bailey and Randy Barbato’s latest razzle-dazzle documentary. Often touted as the most profitable movie ever made (a claim that on some level remains unverifiable, as many of the box […]
https://southpawfilmworks.net/?p=1187
Melinda and Melinda
Movie review by Greg Carlson Prolific legend Woody Allen has been fair game of late for releasing a string of films dismissed by critics and ignored by American audiences. Despite a few terrific features (“Deconstructing Harry” and “Sweet and Lowdown” jump to mind), none of Allen’s more recent films have compared to the career achievements […]
https://southpawfilmworks.net/?p=1183
Sin City
Movie review by Greg Carlson A tour de force of hard-boiled crime fiction clichés and pulpy noir fever dreams, “Sin City” is the first exciting movie to be released in 2005. Tenaciously faithful to comic book deity Frank Miller’s popular series, “Sin City” boasts a volcanic ferocity that will quicken the pulse and tighten the […]
https://southpawfilmworks.net/?p=1179
The Chorus
Movie review by Greg Carlson Based on the 1945 film “La Cage aux Rossignols,” Christophe Barratier’s “Les Choristes” (translated stateside as “The Chorus”) evokes plenty of other movies, from “Zero for Conduct” to “Mr. Holland’s Opus.” Told in flashback, the story transports the viewers to Fond de l’Etang, a strict boarding school for young boys […]
https://southpawfilmworks.net/?p=1175
Bride and Prejudice
Movie review by Greg Carlson Over the closing credits of “Bride and Prejudice,” a quick cameo featuring movie mogul-bulldog Harvey Weinstein reminds viewers that when it comes to filmmaking, it’s all about the Benjamins – which means that quality more than occasionally takes a back seat to the sheer force of marketing a seemingly good […]
https://southpawfilmworks.net/?p=1171
Robots
Movie review by Greg Carlson “Robots” is the follow-up to Blue Sky’s “Ice Age,” and it certainly trumps its predecessor in the visuals department. Story is another matter, however, and in that regard, the crew at rival Pixar can breathe a sigh of relief. 3D animation doesn’t necessarily need to be a contest, but the […]
https://southpawfilmworks.net/?p=1166
Be Cool
Movie review by Greg Carlson “Be Cool” took plenty of time making it to the theatres (co-star Robert Pastorelli died just a few days short of one year prior to the movie’s eventual release) and the wait was decidedly not worth it. Sure to be one of the worst movies of 2005, “Be Cool” is […]
https://southpawfilmworks.net/?p=1162
Bad Education
Movie review by Greg Carlson While director Pedro Almodovar chooses immediately to musically invoke Hitchcock’s “Psycho” during his opening credit sequence (a Saul Bass-esque cut-and-paste doozy of reds, blacks, and whites), the movie that ends up being re-imagined more thoroughly throughout the great Spanish director’s “Bad Education” is “Vertigo.” Continuing his evolution into one of […]
https://southpawfilmworks.net/?p=1158
Being Julia
Movie review by Greg Carlson “Being Julia,” director Istvan Szabo’s film version of W. Somerset Maugham’s novel “Theatre,” makes the argument that everything is artifice and that people, with varying degrees of success, are always acting. Despite a splendid supporting cast and a delightful central turn by Annette Bening, “Being Julia” is as trifling and […]
https://southpawfilmworks.net/?p=1154